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研究論文リストＡ-1
フェルメールやデルフト派の研究においては第一人者のDr.アーサー・Ｋ・ウィロック・Jr.氏の論文です。
*のついた論文はこのリストの他の項目にも重複してあげられています。
デルフトの古地図や他の画家の景観図、そして『デルフト眺望』のＸ線および赤外線による調査をもとに、フェルメールの絵画技法と彼の作品の魅力の秘密を解明する。
- 「ヘラルト・ホックヘーストとエマニュエル・デ・ウィッテ：デルフトの建築画」
（Gerard Houckgeest and Emanue de Witte
Architectural painting inDelft around 1650,Simiolus 8 (1975-76), pp. 167-185.）
- 書評「アルバート・ブランカート著『デルフトのヨハネス・フェルメール1632-1675』」
(Review of A. Blankert, Rob Roors and
Willem van de Watering, Johannes Vermeer van Delft, 1632-1675,
Utrecht and Antwerpen, 1975, Art Bulletin 59 (1977), pp.439-441.)
- "Carel Fabritius: Perspective
and Optics in Delft," Nederlands Kunsthistorisch Jaarboek
24 (1973): pp.63-83.
- "Gerard Houckgeest and Emanuel
de Witte Architectural painting in Delft around 1650, "Simiolus
8 (1975/1976): pp.167-185.
- *Perspective, Optics, and Delft
Artists Around 1650, New York, 1977 (Diss. Harvard University,
1973).
- "De Geschiedenis en Bekoring van
'De Molen,'" De Kroniek van het Rembrandthuis 29,
no.1 (1977), pp.20-32.
- "Constantijn Hygens and Early
Attitudes toward the Camera Obscura" History of Photography
1 (1977), pp.93ff.
- *"Zur Technik zweier Bilder, die
Vermeer zugeschrieben sind," Maltechnik, Restauro
4, 84 (1978), pp.242-258.
- "De Restauratie van 'De Molen',"
De Kroniek van het Rembrandthuis 31, no.1 (1979), pp.9-13.
- "Perspective and Its Role in the
Evolution of Dutch Realism," In Perception and Pictorial
Representation, New York, 1979, pp.110-133.
- * Jan Vermeer, New York, 1981
(2d rev. ed., 1988).
- "Vermeer's Painting Technique,"
Art Journal 41 (1981), pp.162-164.
- "Rembrandt en zijn school,"
In:
- "The influence of Lucas van Leyden
on Rembrandt's narrative etchings," In: Essays in northern
European art presented to Egbert Haverkamp-Begemann on his sixtieth
birthday," (ed. by Logan, Anne-Marie), Doornspijk, 1983,
pp.291-296.
- Dutch Painting in the National Gallery
of Art, Washington, 1984.
- *"Pentimenti in Vermeer's Paintings;
Changes in Style and Meaning," in: Hollndische Genremalerei
im 17. Jahrhundert, Symposium Berlin, Jahrbunch preussischer
Kulturbesitz Sonderband 4 (1985), pp.385-412.
- "St. Praxedis: New Light on the
Early Career of Vermeer," Artibus et historae 14
(1986), pp.71-89.
- "Girl through the Glass: How Optics
Changed a Dutch Master's Art," The Sciences 27 (1987),
pp.?.
- "The Art Historian in the Laboratory:
Examination into the History Preservation and Technique of Dutch
Painting," in: The Age of Rembrandt. Studies in Seventeenth
Century Dutch Paintings.(ed. by Ronald F.E. Fleischer and
Susan Scott Munshower), Papers in Art History from the Pennsylvania
State University 3, Pittsburgh, 1988, pp.220-245.
- "History, Politics and the Portrait
of a City: Vermeer's View of Delft," in: Urban Life in
the Renaissance (ed. by Susan Zimmerman and Ronald F.E. Wiessman),
Newark, 1989, pp.165-184.
- "Still Life: Its Visual Appeal
and Theoretical Status in the Seventeenth Century," In:
Still Lifes of the Golde Age; Northern European Paintings
from the Heinz Family Collection, exh. cat. National Gallery
of Art, Washington, 1989, pp.11-25.
- Anthony van Dyck, exh. cat. National Gallery of Art, Washington,
1990-1991.
- "Vermeer and Bramer: A New Look
at Old Documents," In: Leonaert Bramer 1596- 1674: A
Painter of the Night, Milwaukee, 1992, pp.19-22.
- "A Girl with a Broom: A Problem
of Attribution," In: Rembrandt and his Pupils. Papers
Given at a Symposium in Nationalmuseum Stockholm, 2-3 October
1992 (ed. by Cavalli-Bjrkman, G.), Stockholm, 1993, pp.142-155.
- "Woman in Blue Reading a Letter
: An Approach to Viewing Vermeer," The Low Countries,
1994, pp.175-180.
- *Vermeer & the Art of Painting,
New Haven and London, 1995.
- *Johannes Vermeer, exh. cat.,
The National Gallery of Art, Washington and Mauritshuis, Den
Haag / Zwolle, 1995-1996.
- A. K. Wheelock Jr. / Perry Chapman
H. / Kloek, W.Th., Jan Steen. Painter and Storyteller,
exh. cat. National Gallery of Art, Washington; Rijksmuseum, Amsterdam,
1996-1997.
- Dutch Paintings of the Seventeenth
Century (The Collections of
the National Gallery of Art Systematic Catalogue), Washington
/ New York / Oxford, 1995.
- "L'exposition Vermeer: preparations
et revelations," Septentrion, March 1996: pp. 4-10.
- "Rembrandt Self-Portrait: The
Creation of a Myth," in: Rembrandt, Rubens and the Art
of their Time: Recent Perspectives (ed. by Roland E.Fleischer
and Susan C. Scott), Papers in Art History from The Pennsylvania
State University, vol.11, Pennsylvania, 1998, pp.13-35.
- "A Moral Compass: Private and
Public Domains in Dutch Art," In A Moral Compass:
Seventeenth and Eighteenth Century Painting in the Netherlands.
exh.cat. Grand Rapids Art Museum. 1999: pp. ?.
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