ronbunlist-c-3-6

17世紀オランダ絵画における静物画に関する研究論文です。

　　　　*のついた論文はこのリストの他の項目にも重複してあげられています。

R. Warner, Dutch and Flemish Flower and Fruits Painters of the XVIIth and XVIIIth Centuries, Amsterdam, 1928 (2nd ed. 1975).
J.G. van Gelder, "Van Blompot en Blomglas," Elsevier's Ge浜lustreerd Maandschrift 46/91 (1936), pp.73-82, 155-166.
N.R.A. Vroom, De schilders van het monochrome banketje, Amsterdam, 1945.
N.R.A. Vroom, A Modest Message as Intimated by the Painters of the "Monochrome Banketje," Amsterdam, 1945 (rev. and enl. Ed., 2.vols, Schiedam, 1980).
I. Bergstrom, Dutch Still-Life Painting in the Seventeenth Century, New York, 1956.
*Reviewed by J. R. Martin, in Art Bulletin 40 (1958), pp.272-274.
J. A. Emmens, " 'Eins aber ist notig,': Zu Inhalt und Bedeutung von Markt- und Kuchenstucken des 16. Jahrhunderts," in: Kunsthistorische Opstellen, vol.2, Amsterdam, 1981, pp.189-222.
E. de Jongh et.al., Still-Life in the Age of Rembrandt, exh. cat., Auckland, 1982.
O. ter Kuile, Seventeenth-century North Netherlandish Still Lifes, The Hague, 1985.
S. D. Kuretsky, "Het schilderen van bloemen in de 17de eeuw," Flora & Pictura. Kunstschrift Openbaar Kunstbezit, 1987, no.3.
S. Segal, Flower and Nature. Netherlandish Flower Painting of Four Centuries, exh. cat., Osaka / Tokyo / Sydney, 1990.