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List of Studies A-1

Studies by Dr. Arthur K. Wheelock Jr., the authority on studies of Vermeer and artists of the Delft school.

Articles marked with * are those found also in other sections of this list.

• A. K. Wheelock Jr. with K. Kaldenbach, "Vermeer's View of Delft and his Vision of Reality,"Artibus et historiae 6 (1982), pp.9-35.
• "Carel Fabritius: Perspective and Optics in Delft," Nederlands Kunsthistorisch Jaarboek 24 (1973): pp.63-83.
• "Gerard Houckgeest and Emanuel de Witte Architectural painting in Delft around 1650, "Simiolus 8 (1975/1976): pp.167-185.
• Book review, "ALBERT BLANKERT, Johannes Vermeer van Delft 1632-1675", The Art Bulletin 59 (1977): pp.439-441.
• *Perspective, Optics, and Delft Artists Around 1650, New York, 1977 (Diss. Harvard University, 1973).
• "De Geschiedenis en Bekoring van 'De Molen,'" De Kroniek van het Rembrandthuis 29, no.1 (1977), pp.20-32.
• "Constantijn Hygens and Early Attitudes toward the Camera Obscura" History of Photography 1 (1977), pp.93ff.
• *"Zur Technik zweier Bilder, die Vermeer zugeschrieben sind," Maltechnik, Restauro 4, 84 (1978), pp.242-258.
• "De Restauratie van 'De Molen'," De Kroniek van het Rembrandthuis 31, no.1 (1979), pp.9-13.
• "Perspective and Its Role in the Evolution of Dutch Realism," In Perception and Pictorial Representation, New York, 1979, pp.110-133.
• * Jan Vermeer, New York, 1981 (2d rev. ed., 1988).
• "Vermeer's Painting Technique," Art Journal 41 (1981), pp.162-164.
• "Rembrandt en zijn school," In:
• "The influence of Lucas van Leyden on Rembrandt's narrative etchings," In: Essays in northern European art presented to Egbert Haverkamp-Begemann on his sixtieth birthday," (ed. by Logan, Anne-Marie), Doornspijk, 1983, pp.291-296.
• Dutch Painting in the National Gallery of Art, Washington, 1984.
• *"Pentimenti in Vermeer's Paintings; Changes in Style and Meaning," in: Holländische Genremalerei im 17. Jahrhundert, Symposium Berlin, Jahrbunch preussischer Kulturbesitz Sonderband 4 (1985), pp.385-412.
• "St. Praxedis: New Light on the Early Career of Vermeer," Artibus et historae 14 (1986), pp.71-89.
• "Girl through the Glass: How Optics Changed a Dutch Master's Art," The Sciences 27 (1987), pp.?.
• "The Art Historian in the Laboratory: Examination into the History Preservation and Technique of Dutch Painting," in: The Age of Rembrandt. Studies in Seventeenth Century Dutch Paintings.(ed. by Ronald F.E. Fleischer and Susan Scott Munshower), Papers in Art History from the Pennsylvania State University 3, Pittsburgh, 1988, pp.220-245.
• "History, Politics and the Portrait of a City: Vermeer's View of Delft," in: Urban Life in the Renaissance (ed. by Susan Zimmerman and Ronald F.E. Wiessman), Newark, 1989, pp.165-184.
• "Still Life: Its Visual Appeal and Theoretical Status in the Seventeenth Century," In: Still Lifes of the Golde Age; Northern European Paintings from the Heinz Family Collection, exh. cat. National Gallery of Art, Washington, 1989, pp.11-25.
• Anthony van Dyck, exh. cat. National Gallery of Art, Washington, 1990-1991.
• "Vermeer and Bramer: A New Look at Old Documents," In: Leonaert Bramer 1596- 1674: A Painter of the Night, Milwaukee, 1992, pp.19-22.
• "A Girl with a Broom: A Problem of Attribution," In: Rembrandt and his Pupils. Papers Given at a Symposium in Nationalmuseum Stockholm, 2-3 October 1992 (ed. by Cavalli-Björkman, G.), Stockholm, 1993, pp.142-155.
• "Woman in Blue Reading a Letter : An Approach to Viewing Vermeer," The Low Countries, 1994, pp.175-180.
• *Vermeer & the Art of Painting, New Haven and London, 1995.
• *Johannes Vermeer, exh. cat., The National Gallery of Art, Washington and Mauritshuis, Den Haag / Zwolle, 1995-1996.
• A. K. Wheelock Jr. / Perry Chapman H. / Kloek, W.Th., Jan Steen. Painter and Storyteller, exh. cat. National Gallery of Art, Washington; Rijksmuseum, Amsterdam, 1996-1997.
• Dutch Paintings of the Seventeenth Century (The Collections of the National Gallery of Art Systematic Catalogue), Washington / New York / Oxford, 1995.
• "L'exposition Vermeer: préparations et révélations," Septentrion, March 1996: pp. 4-10.
• "Rembrandt Self-Portrait: The Creation of a Myth," in: Rembrandt, Rubens and the Art of their Time: Recent Perspectives (ed. by Roland E.Fleischer and Susan C. Scott), Papers in Art History from The Pennsylvania State University, vol.11, Pennsylvania, 1998, pp.13-35.
• "A Moral Compass: Private and Public Domains in Dutch Art," In A Moral Compass: Seventeenth and Eighteenth Century Painting in the Netherlands. exh.cat. Grand Rapids Art Museum. 1999: pp. ?.

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