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List of Studies A-2

Studies by Dr. Walter Liedtke

Articles marked with * are those found also in other sections of this list.

• W. A. Liedtke, "From Vredeman de Vries to Dirck van Delen: Saources of Imaginary Architectural Painting," Rhode Island School of Design Bulletin 57 (1970), no.2, pp.15-25.
  
• W. A. Liedtke, "Saenredam's Space," Oud Holland 86 (1971), pp.116-141.
  
• W. A. Liedtke, "The New Church in Haarlem series: Saenredam's sketching style in relatin to perspective," Simiolus 8 (1975-1976), pp.145-166.
  
• W. A. Liedtke, "The 'View in Delft' by Carel Fabritius," The Burlington Magazine 118 (1976), pp.61-73.
  
• W. A. Liedtke, "The Three Parables by Barent Fabritius with a chronological list of his paintings dating from 1660 onward," Burlington Magazine 119 (1977), pp.316, 319-327.
  
• W. A. Liedtke, "Pride in Perspective, The Dutch Townscape," The Connoisseur 200 (1979), pp.264-273.
  
• W. A. Liedtke, "Hendrick van Vliet and the Delft School," Museum News (The Toledo Museum of Art) 21 (1979), pp.40-52.
  
• *W. A. Liedtke, Architectural Paintin in Delft, Doornspijk, 1982.
  
• W. A. Liedtke, "Cornelis de Man as a Painter of Church Interiors," Tableau 5 (1982), pp.62-66.
  
• W. A. Liedtke, "Towards a History of Dutch Genre Painting," De arte et libris, Festschrift Erasmus 1934-1984, Amsterdam, 1984, pp.
  
• W. A. Liedtke, "Reconstructing Rembrandt: Portraits from the Early Years in Amsterdam (1631-1634)," Apollo 129 ( May 1989), pp.323-331, pp.371-372.
  
• W. A. Liedtke, "Dutch and Flemish Paintings from the Hermitage," Oud Holland 103 (1989), pp.154 ff.
  
• W. A. Liedtke, "Peyps and the Pictorial Arts," Apollo 1991, p.234.
  
• W. A. Liedtke, "De hofstijl: architectuurschilderkunst in 's-Gravenhage en Londen," Rotterdam, 1991, pp.31-41.
  
• W. A. Liedtke, "Stockholm: Rembrandt and his Age," Burlington Magazine 134 (1992), pp.829 ff.
  
• W. A. Liedtke, "The Delft School, Circa 1627-1675," Milwaukee 1992, pp.23-35.
  
• *W. A. Liedtke, "Vermeer teaching himself," In: Rembrandt and his age. Focus on Man (exh. cat. Stockholm, Nationalmuseum, ed. by Cavalli-Björkman, G.), Stockholm, 1992-1993, pp.89-105.
  
• W.A.Liedtke, et.al., Rembrandt / Not Rembrandt in The Metropolitan Museum of Art. Aspects of Connoissuership, Vol.2, Paintings, Drawings, and Prints: Art-Historical Perspectives (exh. cat. New York, The Metropolitan Museum of Art), New York, 1995-1996.
  
• W. A. Liedtke, "Reconstructing Rembrandt and his Circle: More on the Workshop Hypothesis," in: Rembrandt, Rubens and the Art of their Time: Recent Perspectives (ed. by Roland E.Fleischer and Susan C. Scott), Papers in Art History from The Pennsylvania State University, vol.11, Pennsylvania, 1998, pp.36-59.
  
• W.A.Liedtke, "Rubens, His Patron, and Style," Rembrandt, Rubens and the Art of their Time: Recent Perspectives (ed. by Roland E.Fleischer and Susan C. Scott), Papers in Art History from The Pennsylvania State University, vol.11, Pennsylvania, 1998, pp.122-143.

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