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List of Studies B-1

Studies on Johannes Vermeer

Articles marked with * are those found also in other sections of this list.

• W. Bürrger (T. Thoré), Van der Meer van Delft, Paris, 1866.
  
• C. Hofstede de Groot, A Catalogue Raisoneé of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vols.10, 1907-1928; Vol.1, "Johannes Vermeer."
  
• E. Plietzsch, Vermeer van Delft, Leipzig, 1911.
  
• H. Voss, "Vermeer van Delft und die Utrechter Schule," Monatshefte für Kunstwissenschaft 5 (1912), pp.79-83.
  
• A. J. Barnouw, "Vermeers zogenaamd Novum Testamentum," Oud Holland 32 (1914), pp.50-54.
  
• M. Eisler, Der Raum bei Jan Vermeer," Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses 22 (1916), pp.213-291.
  
• J. G. van Gelder, "Een teekeningen ban Carel Fabritius en een teekeningen van Johannes Vermeer," Oud Holland 48 (1931), pp.
  
• A. Heppner, "Vermeer: seine kunstlerische Herkunft und Ansstrahlung," Pantheon 16 (1935), pp. 255-265.
  
• R. Huyghe, "Vermeer et Proust," L'Amour de l'art 17 (1936), pp.7-15.
  
• P. L. Hale, Vermeer, London 1937.
  
• A. B. de Vries, Jan Vermeer van Delft, London / New York (2nd.ed.), 1948.
  
• K. G. Hulten, "Zu Vermeers Atelierbild," Konsthistorisk Tidskrift 18 (1949), pp.90-98.
  
• F. W. S. van Thienen, Jan Vermeer van Delft, Amsterdam/Antwerp, 1949.
  
• P. T. A. Swillens, Johannes Vermeer, Utrecht, 1950.
  
• L. Gowing, Vermeer, London. 1952 (New ed. New York/Evanston, 1971).
  
• V. Block, Tutta la pittura de Vermeer di Delft, Milan, 1954.
  
• L. Goldschneider, Jan Vermeer, London, 1958.
  
• J. G. van Gelder, De Schilderkunst van Jan Vermeer(with a commentary by J.A. Emmens), Utrecht, 1958.
  
• C. Seymour, Jr., "Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura," Art Bulletin 46 (1964), pp.323-331.
  
• H. Kühhn, "A Study of the Pigments Used by Jan Bermeer," Report and Studies in the History of Art, National Gallery of Art (Washington), 2 (1968), pp.153-202.
  
• D. A. Fink, "Vermeer's Use of the Camera Obscura - a Comparative Study," Art Bulletin 53 (1971), pp.493-505.
  
• J. A. Welu, "Vermeer: His Cartographic Sources," Art Bulletin 57 (1975), pp.529-547.
  A. Blankert, et.al., Vermeer van Delft 1632-1675, Utrecht/Antwerp, 1975 (Eng.ed.: Oxford, 1977); Reviewed by A.K. Wheelock, Jr. in Art Bulletin 59 (1977), pp.439-441: by C. Brown in Simiolus 9 (1977), pp.56-58.
  
• J. M. Montias, "The Guild of St. Luke in Seventeenth Century Delft and the Economic Status of Artists and Artisans," Simiolus 9 (1977), pp.93-105.
  
• J. M. Montias, "New Documents on Vermeer and His Family," Oud Holland 91 (1977), pp.267-287.
  
• *A. K. Wheelock Jr., "Zur Technik zweier Bilder, die Vermeer zugeschirieben sind," Maltechnik 84 (1978), pp.242-257.
  
• E. Snow, A Study of Vermeer, Berkeley, 1979 (revised ed. Berkeley, 1993).
  
• J. M. Montias, "Vermeer and His Milieu: Conclusion of an Archival Study," Oud Holland 94 (1980), pp.44-62.
  
• L. Seth, "Vermeer och van Veens Amorum Emblemata," Kunsthistorisk Tidskrift 49 (1980), 17-40.
  
• *A. K. Wheelock Jr., Jan Vermeer, New York / London, 1981.
  
• P. Bianconi, Tout l'oeuvre peint de Vermeer de Delft (Intro. by R, Huyghe), Paris, 1985.
  
• *A. K. Wheelock Jr., "Pentimenti in Vermeer's Paintings; Changes in Style and Meaning," in: Holländische Genremalerei im 17. Jahrhundert, Symposium Berlin, Jahrbunch preussischer Kulturbesitz Sonderband 4 (1985), pp.385-412.
  
• *A. K. Wheelock Jr., "St. Praxedis: New Light on the Early Career of Vermeer," Artibus et historae 14 (1986), pp.71-89.
  
• J. M. Montias, "Vermeer's Clients and Patrons," Art Bulletin 69 (1987), pp.68-76.
  
• A. Blankert, et. al., Vermeer, New York, 1988.
  
• J. M. Montioas,Vermeer and His milieu. A Web of Social History, Princeton, 1989.
  
• J. Nash, Vermeer, London, 1991.
  
• J. M. Montias, "A Postscript on Vermeer and His Milieu," The Hogsteder Mercury 12 (1991), pp.42-52.
  
• *A. K. Wheelock Jr., "Vermeer and Bramer: A New Look at Old Documents," In: Leonaert Bramer 1596-1674: A Painter of the Night, Milwaukee, 1992, pp.19-22.
  
• *W. A. Liedtke, "Vermeer teaching himself," In: Rembrandt and his age. Focus on Man (Exh. cat. Stockholm, Nationalmuseum, ed. by G. Cavalli-Björkman), Stockholm, 1992-1993, pp.89-105.
  
• D. Arasse, Vermeer, Faith in Painting (Transl.by T. Grabar), Princeton, 1993.
  
• *A. K. Wheelock Jr., Vermeer & the Art of Painting, New Haven and London, 1995.
  
• *A. K. Wheelock Jr., Johannes Vermeer, exh. Cat., The National Gallery of Art, Washington; Mauritshuis, Den Haag, Den Haag / Zwolle, 1995-1996.
  
• M. A. Castor, "Augenblick und Zeitfluss- Bemerkungen zu einigen Konstanten in der Malerei Jan Vermeers," Pantheon 54 (1996), pp.84-101.
  
• I. Gaskell (ed.), Vermeer Studies. Studies in the History of Art, Vol.55, The National Gallery of Art, Washington), 1998.
  
• E. R. Znauer, "Vermeers Allergorie des Glaubens und Genesis 24, I-67," Zeitschrift für Kunstgeschichte 61 (1998), pp.66-76.
  
• A. A. Mills, "Vermeer and the camera obscura: some practical considerations," Leonardo 31 (1998), pp.213-218.
  
  

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